★★★☆☆

94 min | NR | November 5, 2021 | IFC Films

Jordan Hines is a Hollywood talent agent who receives a purple envelope inviting him to an anonymous sexual encounter at a hotel. He goes. Then he spends the rest of the film unraveling over who sent it and what they know. Some men will burn their entire life down rather than admit they wanted the envelope.

Jordan Hines is a Hollywood talent agent in the middle of merger panic and a looming marriage. A purple envelope arrives offering an anonymous, no-strings sexual encounter at a hotel. He accepts, and the encounter detonates everything underneath his carefully managed life. The Beta Test presents itself as an erotic thriller, but it is really a film about a man who has built an identity entirely out of performance and now cannot locate the person performing it. The mystery of who sent the envelope is a pretext. The actual subject is what gets harvested when every transaction becomes data.

Jim Cummings plays Jordan as a man held together by adrenaline and false enthusiasm. He greets everyone with the same manic warmth and you watch it curdle into something feral the moment a phone call goes wrong. Cummings sweats through every scene and lets the panic leak out at the edges of a fixed grin. Virginia Newcomb plays his fiancee Caroline with a wary stillness that reads everything he is hiding before he says a word. PJ McCabe plays his agency partner Pruitt as a man riding the same hustle without the cracks showing. The contrast makes Jordan’s collapse look less like a breakdown and more like the system working as designed.

Cummings and McCabe co-direct and co-write, and they stage the agency world as a series of forced smiles and bared teeth. The camera holds on Cummings in long takes that refuse to cut away from his face as the composure slips. The score pushes a nervy, almost giallo unease against scenes of men in suits eating lunch. That tonal collision is the point. The film makes a corporate negotiation feel like a horror set piece and treats a sexual betrayal like a data breach.

The Beta Test connects male sexual entitlement to the larger machinery that sells your desires back to you. Jordan thinks he is the protagonist of a thriller. He is actually a product who got phished. The film has the discipline to keep him pathetic and never let him become a hero. It indicts an entire economy of want without ever raising its voice above a talent agent’s lunch pitch.