Inside Out 2
100 min | PG | June 14, 2024 | Walt Disney Pictures/Pixar
Riley hits puberty and new emotions move in. Anxiety takes over. Pixar remembers how to make adults cry in a children’s movie. The formula works because the feelings are real.
100 min | PG | June 14, 2024 | Walt Disney Pictures/Pixar
Riley hits puberty and new emotions move in. Anxiety takes over. Pixar remembers how to make adults cry in a children’s movie. The formula works because the feelings are real.
94 min | R | June 14, 2024 | IFC Films
A slasher movie told from the killer’s perspective. The camera follows Johnny as he walks through the woods and murders people. It is ambient horror. It is also genuinely disturbing.
102 min | PG-13 | June 7, 2024 | Warner Bros. Pictures
Ishana Night Shyamalan makes her directorial debut with a forest horror film starring Dakota Fanning. The Shyamalan twist gene is hereditary. So is the inconsistency.
115 min | R | June 7, 2024 | Sony Pictures
Will Smith and Martin Lawrence return for a fourth Bad Boys. The formula has not changed. It still works. Nobody is more surprised than the franchise itself.
101 min | PG | May 24, 2024 | Sony Pictures
Chris Pratt voices Garfield in a heist movie about a cat reuniting with his deadbeat dad. The lasagna-loving indoor cat deserves better. So does the audience.
148 min | R | May 24, 2024 | Warner Bros. Pictures
George Miller tells the origin story nobody asked for and makes it feel essential. Anya Taylor-Joy becomes Furiosa. Chris Hemsworth goes full maniac as Dementus. The Wasteland expands.
104 min | PG | May 17, 2024 | Paramount Pictures
John Krasinski makes a family film about forgotten imaginary friends. The concept is Pixar-level. The execution is Hallmark-level. Ryan Reynolds cannot save it.
145 min | PG-13 | May 10, 2024 | 20th Century Studios
The Apes franchise jumps forward generations and finds a new story worth telling. The motion capture is stunning. The world-building is patient. Caesar’s shadow looms over everything.
126 min | PG-13 | May 3, 2024 | Universal Pictures
David Leitch makes a love letter to stunt performers with Ryan Gosling and Emily Blunt. The chemistry is electric. The stunts are real. Hollywood makes a movie about why movies matter.
131 min | R | April 26, 2024 | Amazon MGM Studios
Luca Guadagnino makes a tennis movie that is actually a three-way love story shot like an action thriller. Zendaya commands the screen. Trent Reznor and Atticus Ross turn tennis into war.
109 min | R | April 19, 2024 | Universal Pictures
Radio Silence makes a vampire movie disguised as a heist movie. A twelve-year-old ballerina murders a house full of criminals. The blood is everywhere and the fun is relentless.
115 min | PG-13 | April 12, 2024 | Warner Bros. Pictures
Godzilla and Kong team up to fight a bigger ape. The human characters exist to explain things. The monsters exist to destroy things. The film exists because the last one made money.
109 min | R | April 12, 2024 | A24
Alex Garland makes a war film set in a fractured America and refuses to tell you whose side to take. Kirsten Dunst anchors it with the exhaustion of a woman who has seen too much.
120 min | R | April 5, 2024 | 20th Century Studios
A prequel to The Omen that has no business being this good. Nell Tiger Free carries a horror film about institutional evil and forced motherhood with ferocious commitment.
121 min | R | April 5, 2024 | Universal Pictures
Dev Patel writes, directs, produces, and stars in a revenge thriller set in India. The ambition is staggering. The action is brutal. The politics are real.
93 min | R | March 22, 2024 | IFC Films
A 1977 Halloween broadcast goes horribly wrong. David Dastmalchian delivers a career-defining performance. Found footage horror has never been this polished or this terrifying.
89 min | R | March 22, 2024 | Neon
Sydney Sweeney produces and stars in a nunsploitation horror film set in an Italian convent. The final act is ferocious. This is not the Sydney Sweeney movie the industry expected.
115 min | PG-13 | March 22, 2024 | Sony/Columbia Pictures
The Ghostbusters franchise continues with too many characters, too much nostalgia, and not enough reason to exist. McKenna Grace deserves her own movie. This is not it.
107 min | PG-13 | March 15, 2024 | Lionsgate
Mark Wahlberg does an adventure race through the Dominican Republic and adopts a stray dog. Based on a true story that is genuinely remarkable. The dog acts better than most of the humans.
104 min | R | March 8, 2024 | A24
Rose Glass makes a steroid-fueled queer noir about love and violence in the desert Southwest. Kristen Stewart and Katy O’Brian generate heat that could melt asphalt.
94 min | PG | March 8, 2024 | Universal/DreamWorks Animation
Po gets a fourth adventure that he probably does not need but mostly earns. Awkwafina brings energy. The animation is gorgeous. The franchise treads water with style.
104 min | PG-13 | March 8, 2024 | Lionsgate
Blumhouse makes a horror movie about a haunted teddy bear. The bear is named Chauncey. The scares are named absent.
145 min | PG-13 | March 8, 2024 | Angel Studios
Angel Studios tells the story of Mother Cabrini, the Italian nun who built hospitals and orphanages in 1890s New York through sheer force of will. Cristiana Dell’Anna is a revelation.
166 min | PG-13 | March 1, 2024 | Warner Bros. Pictures
Denis Villeneuve finishes what he started. The second half of Frank Herbert’s novel is the dangerous half. Villeneuve handles it with intelligence and spectacle in equal measure.
117 min | PG | February 23, 2024 | Lionsgate
Hilary Swank plays a recovering alcoholic hairdresser who mobilizes a community to save a dying child. Based on a true story. Earns its sentiment without drowning in it.
84 min | R | February 23, 2024 | Focus Features
Ethan Coen goes solo with a lesbian road trip crime comedy set in 1999. It is slight and messy and more fun than it has any right to be.
116 min | PG-13 | February 14, 2024 | Sony Pictures
Sony scrapes the bottom of the Spider-Man IP barrel and finds Madame Web. Dakota Johnson looks like she wants to be anywhere else. So does the audience.
107 min | PG-13 | February 14, 2024 | Paramount Pictures
The authorized Bob Marley biopic hits every expected beat with craft and caution. Kingsley Ben-Adir commits fully. The film does not.
101 min | PG-13 | February 9, 2024 | Focus Features
Diablo Cody writes a teen horror comedy set in 1989. Zelda Williams directs. The vibes are immaculate. The script needed another pass.
139 min | PG-13 | February 2, 2024 | Universal Pictures
Matthew Vaughn makes a spy movie about a spy novelist caught up in a real spy plot. Two hours and nineteen minutes of that. With a cat.
91 min | PG-13 | January 26, 2024 | Oscilloscope Laboratories
Daisy Ridley disappears into a quiet office worker who fantasizes about death. A tiny, precise film about the terror of human connection.
93 min | R | January 26, 2024 | Lionsgate
A student-teacher boundary thriller that thinks it is smarter than it is. Martin Freeman deserves better material.
110 min | R | January 25, 2024 | Lionsgate
Russell Crowe flies a drone. Liam Hemsworth runs through a jungle. A straightforward military thriller that works because it commits to being exactly that.
141 min | PG-13 | January 19, 2024 | Neon
Ava DuVernay adapts a nonfiction book about caste into a narrative film about grief, obsession, and the architecture of human cruelty. Aunjanue Ellis-Taylor anchors a film that should not work but does.
95 min | R | January 19, 2024 | Bleecker Street
War breaks out on Earth. Astronauts on the International Space Station get orders to take control by any means necessary. The premise is better than the movie.
99 min | R | January 12, 2024 | Amazon MGM Studios
Jason Statham punches his way through a phishing scam revenge thriller. David Ayer keeps it lean and mean. This is exactly as stupid and satisfying as it sounds.
112 min | PG-13 | January 12, 2024 | Paramount Pictures
The Broadway musical adaptation of the movie based on the book. Reneé Rapp owns it. The meta-layers are dizzying but the songs hold up.
98 min | PG-13 | January 5, 2024 | Universal Pictures
Blumhouse turns a backyard pool into a horror villain. The pool is scarier than the movie.
117 min | R | December 15, 2023 | Amazon MGM Studios
Cord Jefferson adapts Percival Everett’s novel into a razor-sharp satire about race, publishing, and the stories America wants to buy. Jeffrey Wright carries the whole thing on his back.